This is extremely cool when mixed with the new Edit All command that allows you to edit functions like distortion across the whole kit. This creates a whole new twist on rhythm creation, as the sounds are literally changing as the drums are pounding out. You can actually morph between different drum edits of your set in real-time. In the last 2 versions, Microtonic has grown with the ability to have more complex MIDI routings, and accept more kinds of MIDI messages.Īlso, there is a new Morph slider that will truly blow your mind. And, personally, I think it should have a stand-alone version one day. Within the last 2 releases of Microtonic, it is slowly becoming it's own program. The step-sequencer is easy to use yet versatile. It really could be more than enough with just what's listed above, a reliable synth-based percussion module, but it goes even farther. Microtonic is a drum synthesizer plugin that does synthesized (i.e. You don't even need experience with synthesis, it's laid out in a very, very simple manner with large dials, and pulsing lights. This is the ability to quickly and easily create percussion sounds of your own. It's second main function is where, in my opinion, it really, really shines. Sin embargo, donde la mayoría basadas en patrones cajas de ritmos tratar de verse como una máquina antigua, tambor vintage, Microtonic no intenta en absoluto: es lo que es. Its 32 bit only and no sequencer but it sounds great and its cheap. Por supuesto, es la primera función principal es un modelo basado en la máquina de percusión, que se pueden activar en tiempo real también. Other good alternatives are xoxo s 80n9 (Bong). Para llamar simplemente una caja de ritmos realmente un insulto, porque es mucho más que eso. Microtonic es una de las tendencias, y en mi opinión, todavía sin la competencia de menor importancia. Pero una cosa que he notado es que siempre habrá un plug-in que se iniciará una tendencia, entonces habrá cientos de plug-ins que van a salir inmediatamente después de tratar de mejorar, o al menos competir con los original de plug-in. It's a niche plug-in, but what it does, it does effectively and distinctively.Hay un montón de instrumentos virtuales que hay que destacar en cualquier número de tareas. It can't do big 'rock' drums, for example you'll need the real thing or samplers if that's what you're aiming for. It sounds like an early analogue drum machine. MicroTonic sounds a little like the drum sounds that Cabaret Voltaire or the early Human League used to use - think early Mute records releases too. Sonic Charge - Microtonic Have loved using the demo. You can think of it as being a sort of simpler version of what the Elektron Machinedrum is, in software form (although the two sound nothing like each other). īut by and large it's remained the same for many years, perhaps because Magnus pretty much got it right the first time around. Teenage Engineering have also made a pocket operator which uses Microtonic as its sound creation brain - the PO 32, which is an innovative way of liberating the sounds from the software domain. The 16-step sequencer is simple but works well, and the step length can be changed, which should keep all you awkward Autechre fans happy! Over the years, a number of improvements have been made, such as a feature that lets you morph between two states, and the ability to copy MIDI to track in your DAW. The noise source has fine envelope control, and can be filtered in low, band and hi-pass modes. The oscillator can be pitched over a very wide range (and, crucially, accurately too, so that the fundamental is an actual diatonic note) with a choice of three waveforms, and it can be pitch-modulated you can also EQ it, distort it, change its attack and release and so on. So, for example, if you were creating a kick drum, you'd probably mostly favour an oscillator-heavy mix, and if you were creating a hi-hat, you'd favour the noise source more. In simple terms, each individual percussion sound consists of a mix balance between an oscillator and a noise source. Synthesis is the name of the game here, and each of the eight instruments have exactly the same flexible architectural starting point from which you can make an array of different percussion sounds. There are no samples here that's not the idea. MicroTonic is about ten years old now, but that doesn't stop it from remaining one of the cheaper and best little drum-synth plug-ins you can get.
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